An freshly coined acronym surfaced several months into the intensive bombing of Gaza by Israel. Referred to as WCNSF, it signifies “Wounded child, no surviving family”. This acronym is specific to Gaza, as stated by doctors like paediatricians. Typically, it is unusual for physicians to treat a child who has lost their complete family. However, there has been no semblance of normality about the genocide in Gaza, where complete genealogies have been wiped out and the number of young amputees is greater than that of any other place in the world. Nothing normal about numerous doctors returning from a landscape of rubble with accounts of children being deliberately targeted.
Gaza remains a profound humanitarian disaster. Vital medicines and equipment are being blocked those in need, and groups like Amnesty International contend that atrocities are ongoing. Authorities has denied these accusations, just as it denies everything it is accused of. But while traumatised orphans are now enduring frigid conditions in temporary shelters, there is a little heartwarming news: apparently nothing is going to stop the Eurovision from continuing with its declared purpose of “unity and artistic sharing.” Organizers will continue to roll out a welcoming platform for Israel, although a number of European countries have now withdrawn in objection. And this, we are told, is what unity looks like.
Eurovision, of course prohibited Russia from participating in 2022 over the “unprecedented crisis in Ukraine”. However, the situation in Gaza seems entirely distinct.
Forget the fact that Israel was criticized for irregular participation methods last year in what could be seen as an bid to politicise Eurovision. Forget the fact that a toddler was reportedly killed in Gaza recently. Pay no mind to the evidence that aggression from Israeli settlers and systematic expulsions in the West Bank have increased dramatically. Disregard the condition that global media are still prevented from freely reporting in Gaza. All of this, evidently, should be allowed to get in the way of Eurovision’s much-touted ethos of unity.
Eurovision reaches its seventieth anniversary next year – almost double the current lifespan of someone in Gaza now. The show may go on, but it will find it impossible to reclaim the pure, unadulterated fun it once represented. A competition that initially championed harmony has devolved into a blatant mechanism to whitewash war.
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