The talented musician, one half of the innovative 1980s electronic music duo Soft Cell, has passed away at the age of 66.
Alongside vocalist Marc Almond, the duo achieved a global success with their cover of Gloria Jones' Tainted Love in 1984, and their debut album their initial full-length release is considered a classic of electronic music.
He subsequently founded the pioneering electronic act The Grid, who secured popular acclaim with 1994's the hit Swamp Thing.
Ball passed away peacefully in his rest at his home in London on Wednesday 22 October, only a short time after performing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.
At that show, Ball performed in a wheelchair, as he had for the previous couple of years, after a spate of health issues.
"I managed to injure myself significantly," he stated in a recent interview. "I broke lower vertebrae in my spine and fractured about multiple ribs and broke my wrist."
Following catching a lung infection and suffering from sepsis, he was placed in an medically-induced sleep and remained in hospital for seven months.
Nevertheless, he had been in "a great place mentally" over the summer, as he was developing a fresh record with Almond, called the upcoming Danceteria, which is scheduled for publication next year.
"He was focused and so happy with the new album that we literally finished only a few days ago," stated the vocalist in a heartfelt message.
"It's truly heartbreaking as 2026 was completely planned to be such an positive year for him, and I find comfort from the knowledge that he listened to the completed album and believed that it was a great piece of work."
Almond referred to his collaborator as "a wonderfully brilliant musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.
"Thank you Dave for being an significant aspect of my life and for the songs you gave me. I wouldn't be where I am without your influence."
Richard Norris from The Grid, also paid tribute, remembering Ball's "constant humor" and "steadfast support".
"Forming a partnership with someone is distinct from being in a group, the bond is incredibly close," he continued.
"That's how it was with us. We went through so many remarkable, incredible, life-affirming moments as a team. Thank you, Dave."
Brought into the world into a one-parent family in Chester in 1959, Ball was put up for adoption when he was a year and a half of age.
He was raised in the seaside town with adoptive parents his caregivers, who altered his first name from Paul to his adopted name, together with his younger sister Susan, who was similarly welcomed.
He encountered Almond at an art college in the late 70s, where they were both studying art. Fuelled by a mutual passion of Northern Soul, they formed Soft Cell the same year, and promptly recorded an EP.
The pair were an unusual combination: Ball was the quiet technician, hunched over his synthesizer, while Almond was a charismatic showman, all glitter and eye-liner; but they achieved a unique creative synergy.
Ball had cultivated a interest with synthesizers after watching Kraftwerk perform on a television science show Tomorrow's World, and started to combine dark electronica to the soaring melodies Almond was writing.
Their signature song became the UK's second biggest-selling single of 1981, shifting millions of units globally. Alongside successful tracks by other artists, contemporary bands and electronic acts, it helped cleared the way for the electronic music style of the 80s.
The song was also featured on their full-length debut, their initial LP, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.
They continued the album up with the separate release, Torch, which peaked at the second position in the following year.
Success had its benefits. "I loved being able to afford my first home, having money and exploring, which makes me sound like a Miss World," Ball recently shared with a publication.
But it also presented problems. "Sudden riches meant we could purchase substances to alleviate the monotony" of media interviews and TV performances, Ball said.
"I know that's a cliché, but it's a cliché for a valid cause, because it applies for so many bands."
Amidst the hedonistic lifestyle, the duo were also drifting apart, but they managed to create a second memorable record - the unconventional, edgy and aptly-titled The Art Of Falling Apart.
They released another album, their 1984 release This Last Night In Sodom, before dissolving the band to focus on individual endeavors.
Almond proceeded to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with melodic sounds over a enduring partnership.
Soft Cell came back together in 2001, producing the Top 40 record Cruelty Without Beauty.
Following another hiatus, they reappeared in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on September 30, 2018.
However, they stayed together, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.
Ball lately described the duo's new album as a homage to the New York club scene they frequented while recording their initial records.
He added that his time in hospital had influenced the band's sound.
"I had unusual memories when I was coming and going of the hospital because I was on morphine," he explained to a publication.
"The new songs are a digital reflection of the sounds in my mind from that time.
"Simultaneously, it's about the experiences me and Marc had in the 80s."
The last versions were completed only days before Ball passed away. It is due for launch in Spring 2026.
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